@Article{Poulin-Charronnat2005,
  author   = {B\'en\'edicte Poulin-Charronnat and Emmanuel Bigand and Fran\c{c}ois Madurell and Ronald Peereman},
  journal  = {Cognition},
  title    = {Musical structure modulates semantic priming in vocal music.},
  year     = {2005},
  number   = {3},
  pages    = {B67-78},
  volume   = {94},
  abstract = {It has been shown that harmonic structure may influence the processing
	of phonemes whatever the extent of participants' musical expertise
	[Bigand, E., Tillmann, B., Poulin, B., D'Adamo, D. A., & Madurell,
	F. (2001). The effect of harmonic context on phoneme monitoring in
	vocal music. Cognition, 81, B11-B20]. The present study goes a step
	further by investigating how musical harmony may potentially interfere
	with the processing of words in vocal music. Eight-chord sung sentences
	were presented, their last word being either semantically related
	(La girafe a un tres grand cou, The giraffe has a very long neck)
	or unrelated to the previous linguistic context (La girafe a un tres
	grand pied, The giraffe has a very long foot). The target word was
	sung on a chord that acted either as a referential tonic chord or
	as a congruent but less referential subdominant chord. Participants
	performed a lexical decision task on the target word. A significant
	interaction was observed between semantic and harmonic relatedness
	suggesting that music modulates semantic priming in vocal music.
	Following Jones' dynamic attention theory, we argue that music can
	modulate semantic priming in vocal music, by modifying the allocation
	of attentional resource necessary for linguistic computation.},
  doi      = {10.1016/j.cognition.2004.05.003},
  keywords = {Humans, Music, Non-U.S. Gov't, Phonation, Reaction Time, Research Support, Semantics, 15617668},
}

{"_id":"P48XqJ4sFRxqDRGoH","bibbaseid":"poulincharronnat-bigand-madurell-peereman-musicalstructuremodulatessemanticpriminginvocalmusic-2005","author_short":["Poulin-Charronnat, B.","Bigand, E.","Madurell, F.","Peereman, R."],"bibdata":{"bibtype":"article","type":"article","author":[{"firstnames":["Bénédicte"],"propositions":[],"lastnames":["Poulin-Charronnat"],"suffixes":[]},{"firstnames":["Emmanuel"],"propositions":[],"lastnames":["Bigand"],"suffixes":[]},{"firstnames":["François"],"propositions":[],"lastnames":["Madurell"],"suffixes":[]},{"firstnames":["Ronald"],"propositions":[],"lastnames":["Peereman"],"suffixes":[]}],"journal":"Cognition","title":"Musical structure modulates semantic priming in vocal music.","year":"2005","number":"3","pages":"B67-78","volume":"94","abstract":"It has been shown that harmonic structure may influence the processing of phonemes whatever the extent of participants' musical expertise [Bigand, E., Tillmann, B., Poulin, B., D'Adamo, D. A., & Madurell, F. (2001). The effect of harmonic context on phoneme monitoring in vocal music. Cognition, 81, B11-B20]. The present study goes a step further by investigating how musical harmony may potentially interfere with the processing of words in vocal music. Eight-chord sung sentences were presented, their last word being either semantically related (La girafe a un tres grand cou, The giraffe has a very long neck) or unrelated to the previous linguistic context (La girafe a un tres grand pied, The giraffe has a very long foot). The target word was sung on a chord that acted either as a referential tonic chord or as a congruent but less referential subdominant chord. Participants performed a lexical decision task on the target word. A significant interaction was observed between semantic and harmonic relatedness suggesting that music modulates semantic priming in vocal music. Following Jones' dynamic attention theory, we argue that music can modulate semantic priming in vocal music, by modifying the allocation of attentional resource necessary for linguistic computation.","doi":"10.1016/j.cognition.2004.05.003","keywords":"Humans, Music, Non-U.S. Gov't, Phonation, Reaction Time, Research Support, Semantics, 15617668","bibtex":"@Article{Poulin-Charronnat2005,\n author = {B\\'en\\'edicte Poulin-Charronnat and Emmanuel Bigand and Fran\\c{c}ois Madurell and Ronald Peereman},\n journal = {Cognition},\n title = {Musical structure modulates semantic priming in vocal music.},\n year = {2005},\n number = {3},\n pages = {B67-78},\n volume = {94},\n abstract = {It has been shown that harmonic structure may influence the processing\n\tof phonemes whatever the extent of participants' musical expertise\n\t[Bigand, E., Tillmann, B., Poulin, B., D'Adamo, D. A., & Madurell,\n\tF. (2001). The effect of harmonic context on phoneme monitoring in\n\tvocal music. Cognition, 81, B11-B20]. The present study goes a step\n\tfurther by investigating how musical harmony may potentially interfere\n\twith the processing of words in vocal music. Eight-chord sung sentences\n\twere presented, their last word being either semantically related\n\t(La girafe a un tres grand cou, The giraffe has a very long neck)\n\tor unrelated to the previous linguistic context (La girafe a un tres\n\tgrand pied, The giraffe has a very long foot). The target word was\n\tsung on a chord that acted either as a referential tonic chord or\n\tas a congruent but less referential subdominant chord. Participants\n\tperformed a lexical decision task on the target word. A significant\n\tinteraction was observed between semantic and harmonic relatedness\n\tsuggesting that music modulates semantic priming in vocal music.\n\tFollowing Jones' dynamic attention theory, we argue that music can\n\tmodulate semantic priming in vocal music, by modifying the allocation\n\tof attentional resource necessary for linguistic computation.},\n doi = {10.1016/j.cognition.2004.05.003},\n keywords = {Humans, Music, Non-U.S. Gov't, Phonation, Reaction Time, Research Support, Semantics, 15617668},\n}\n\n","author_short":["Poulin-Charronnat, B.","Bigand, E.","Madurell, F.","Peereman, R."],"key":"Poulin-Charronnat2005","id":"Poulin-Charronnat2005","bibbaseid":"poulincharronnat-bigand-madurell-peereman-musicalstructuremodulatessemanticpriminginvocalmusic-2005","role":"author","urls":{},"keyword":["Humans","Music","Non-U.S. Gov't","Phonation","Reaction Time","Research Support","Semantics","15617668"],"metadata":{"authorlinks":{}}},"bibtype":"article","biburl":"https://endress.org/publications/ansgar.bib","dataSources":["xPGxHAeh3vZpx4yyE","TXa55dQbNoWnaGmMq"],"keywords":["humans","music","non-u.s. gov't","phonation","reaction time","research support","semantics","15617668"],"search_terms":["musical","structure","modulates","semantic","priming","vocal","music","poulin-charronnat","bigand","madurell","peereman"],"title":"Musical structure modulates semantic priming in vocal music.","year":2005}