A quantitative study of pitch registers in string quartets opus 17, by Joseph Haydn. Sampaio, M., de Oliveira, V. S., Travassos, M., & Castro, C. Musica Theorica, 5(1):119–177, 2020. ![A quantitative study of pitch registers in string quartets opus 17, by Joseph Haydn [link]](https://bibbase.org/img/filetypes/link.svg "link")
Paper abstract bibtex 1 download In this paper, we present an exploratory study of the pitch registers on the string quartets Opus 17, by Joseph Haydn, according to a quantitative approach. This subject is relevant because the pitch registers studies have revealed noteworthy issues in the Musical Analysis area, the statistical techniques help to detect musical subtleties with a small potential for bias, and because on this corpus, Haydn has established standards for the string quartet genre. The pitch registers study allowed us to identify relevant musical aspects in the repertoire, understand the role of extreme registers in the form segmentation, and observe the prominence of the development and second theme sections, and the feasibility of the quantitative methods. We present a brief theoretical foundation, the methodological framework, the results of the investigation on the quartets' instrument pitches, a discussion about these results, and the conclusions.
@Article{ sampaio.ea2020-quantitative,
author = {{Sampaio}, {Marcos da Silva} and de Oliveira, Vicente
Sanches and Travassos, Matheus and Castro, Carla},
year = {2020},
title = {A quantitative study of pitch registers in string
quartets opus 17, by Joseph Haydn},
abstract = {In this paper, we present an exploratory study of the
pitch registers on the string quartets Opus 17, by Joseph
Haydn, according to a quantitative approach. This subject
is relevant because the pitch registers studies have
revealed noteworthy issues in the Musical Analysis area,
the statistical techniques help to detect musical
subtleties with a small potential for bias, and because on
this corpus, Haydn has established standards for the
string quartet genre. The pitch registers study allowed us
to identify relevant musical aspects in the repertoire,
understand the role of extreme registers in the form
segmentation, and observe the prominence of the
development and second theme sections, and the feasibility
of the quantitative methods. We present a brief
theoretical foundation, the methodological framework, the
results of the investigation on the quartets' instrument
pitches, a discussion about these results, and the
conclusions.},
journal = {Musica Theorica},
keywords = {Digital Musicology,Joseph Haydn,Pitch
register,Quantitative analysis,String
quartet,computational musicology},
mendeley-tags= {computational musicology},
number = {1},
pages = {119--177},
url = {http://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/128},
volume = {5}
}
Downloads: 1
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