@article{
 title = {Comments on comments by Cupchik (2019) and Jacobsen (2019)},
 type = {article},
 year = {2019},
 keywords = {Comment,journal},
 pages = {264-265},
 volume = {13},
 websites = {https://psycnet.apa.org/record/2019-45121-004},
 month = {8},
 id = {493b6976-4210-3ba4-85fa-ad02ef0b5cbf},
 created = {2024-08-09T12:19:59.160Z},
 file_attached = {true},
 profile_id = {ffa9027c-806a-3827-93a1-02c42eb146a1},
 group_id = {da2a8249-fdf4-3036-ba56-7358198a1600},
 last_modified = {2024-08-09T12:20:40.642Z},
 read = {false},
 starred = {false},
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 citation_key = {scherer2019comments2019},
 source_type = {article},
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 abstract = {In this response to comments by Cupchik (2019) and Jacobsen (2019), we address the points made and extend the discussion to raise a number of issues to consider in the quest for ecologically valid research on aesthetic emotions generated by music performances.},
 bibtype = {article},
 author = {Scherer, Klaus R. and Trznadel, Stéphanie and Fantini, Bernardino and Coutinho, Eduardo},
 doi = {10.1037/aca0000246},
 journal = {Psychology of Aesthetics, Creativity, and the Arts},
 number = {3}
}

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