@article{
 title = {Comments on comments by Cupchik (2019) and Jacobsen (2019)},
 type = {article},
 year = {2019},
 keywords = {Comment,journal},
 pages = {264-265},
 volume = {13},
 websites = {https://psycnet.apa.org/record/2019-45121-004},
 month = {8},
 id = {6f6c7ba3-bcba-37fa-8c6a-eba7eb6bd00e},
 created = {2020-05-29T11:51:37.116Z},
 file_attached = {true},
 profile_id = {ffa9027c-806a-3827-93a1-02c42eb146a1},
 last_modified = {2020-06-08T17:31:31.791Z},
 read = {false},
 starred = {false},
 authored = {true},
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 abstract = {In this response to comments by Cupchik (2019) and Jacobsen (2019), we address the points made and extend the discussion to raise a number of issues to consider in the quest for ecologically valid research on aesthetic emotions generated by music performances.},
 bibtype = {article},
 author = {Scherer, Klaus R. and Trznadel, Stéphanie and Fantini, Bernardino and Coutinho, Eduardo},
 doi = {10.1037/aca0000246},
 journal = {Psychology of Aesthetics, Creativity, and the Arts},
 number = {3}
}

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