Digitale Musikanalyse mit den Techniken der Music Encoding Initiative (MEI) am Beispiel von Kompositionsstudien Anton Bruckners. Seipelt, A., Gulewycz, P., & Klugseder, R. Die Musikforschung, 71(4):366–378, 2018.
abstract   bibtex   
Studying the harmonic structures of a musical work and exploring its origins is one of the main tasks of traditional musicology. Since the advent of computer technologies, new tools for musical analysis emerged to gain new perspectives on well-known compositions. In the field of digital musical editions, the markup language MEI (Music Encoding Initiative) plays a prominent role for encoding musical notation with a musicological demand. This paper presents the current state of the project “Digital Music Analysis with MEI using the Example of Anton Bruckner's Compositional Studies”. Its aim is to encode the “Kitzler Study book” written by Bruckner and to present it in a digital Edition. Also, the project explores the capability of MEI for an automatic of half-automatic harmonic analysis.
@article{Seipelt_2018,
abstract = {Studying the harmonic structures of a musical work and exploring its origins is one of the main tasks of traditional musicology. Since the advent of computer technologies, new tools for musical analysis emerged to gain new perspectives on well-known compositions. In the field of digital musical editions, the markup language MEI (Music Encoding Initiative) plays a prominent role for encoding musical notation with a musicological demand. This paper presents the current state of the project “Digital Music Analysis with MEI using the Example of Anton Bruckner's Compositional Studies”. Its aim is to encode the “Kitzler Study book” written by Bruckner and to present it in a digital Edition. Also, the project explores the capability of MEI for an automatic of half-automatic harmonic analysis.},
author = {Seipelt, Agnes and Gulewycz, Paul and Klugseder, Robert},
year = {2018},
title = {Digitale Musikanalyse mit den Techniken der Music Encoding Initiative (MEI) am Beispiel von Kompositionsstudien Anton Bruckners},
pages = {366–378},
volume = {71},
number = {4},
journal = {Die Musikforschung}
}

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