@article{
 title = {I motetti di Guillaume de Machaut: Loro relazione con le teoriche del suo tempo},
 type = {article},
 year = {1975},
 keywords = {23: Historical musicology (Western music) -- To,Guillaume de Machaut -- works -- motets,Jehan de Murs -- works -- relation to Guillaume d,Jehan de Murs -- writings -- relation to Guillaum,Levi ben Gershom -- writings -- relation to Guill,Nicole -- writings -- relation to Guillaume de Ma,Oresme,Philippe de Vitry -- works -- relation to Guillau,William of Ockham -- writings -- relation to theo,academic institutions -- France -- Paris -- Unive,chronologies -- Guillaume de Machaut -- motets,mathematics -- France -- Paris -- relation to the,motet -- Guillaume de Machaut,philosophy -- France -- Paris -- relation to theo},
 month = {1},
 id = {57ac08f5-a7f4-3e48-965b-57a2f59aa1a6},
 created = {2010-10-13T21:12:06.000Z},
 file_attached = {false},
 profile_id = {992ba1bc-1967-3b6a-a728-baa12466e495},
 group_id = {c0eb349a-6e84-3b18-a0e1-cfb072910808},
 last_modified = {2010-10-13T21:13:21.000Z},
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 short_title = {I motetti di Guillaume de Machaut},
 abstract = {Examines the relationship between the musical theory of the 14th c. and contemporaneous philosophical and scientific thought and, in particular, the mathematical production following the confirmation of Occam's philosophy at the University of Paris. The relationships between the musical works of Philippe de Vitry and Johannes de Muris and the mathematical works of Muris, Gersonide (Leone Ebreo), and Nicola di Oresme provides a philosophical basis for characterization of the poetry of the ars nova. The motets of Machaut, from the point of view of their isorhythmic construction, brings to light a great variety of techniques used and a progressive refinement of their use. A tentative chronology of the works is offered.},
 bibtype = {article},
 author = {Seta, Fabrizio (Author) Della},
 journal = {The motets of Guillaume de Machaut: Their relation to the theorists of his time}
}

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