{"_id":"hgTsjLWE59DT9wmbK","bibbaseid":"straus-uniformitybalanceandsmoothnessinatonalvoiceleading-2003","authorIDs":[],"author_short":["Straus, J. N."],"bibdata":{"bibtype":"article","type":"article","author":[{"propositions":[],"lastnames":["Straus"],"firstnames":["Joseph","Nathan"],"suffixes":[]}],"year":"2003","title":"Uniformity, Balance, and Smoothness in Atonal Voice Leading","abstract":"[Unedited] Presents a broadly applicable model for atonal voice leading, a model of pitch-class counterpoint to connect any two harmonies. Voice leadings are evaluated by three criteria: (1) uniformity, the extent to which the voices move by the same interval distance and thus approach traditional transposition; (2) balance, the extent to which the voices move by the same index number and thus approach traditional inversion; and (3) smoothness, the extent to which the voices travel the shortest possible distance. The most uniform, most balanced, or smoothest way of moving from one set to another in pitch-class space, or from one set class to another in a proposed voice-leading space, provides a standpoint from which to assess any specific compositional realization in pitch space.","doi":"10.1525/mts.2003.25.2.305","isbn":"0195-6167","issn":"0195-6167","journal":"Music Theory Spectrum","keywords":"music theory","mendeley-tags":"music theory","number":"2","pages":"305–352","volume":"25","bibtex":"@Article{ straus2003-uniformity,\n author = {Straus, Joseph Nathan},\n year = {2003},\n title = {Uniformity, Balance, and Smoothness in Atonal Voice\n Leading},\n abstract = {[Unedited] Presents a broadly applicable model for atonal\n voice leading, a model of pitch-class counterpoint to\n connect any two harmonies. Voice leadings are evaluated by\n three criteria: (1) uniformity, the extent to which the\n voices move by the same interval distance and thus\n approach traditional transposition; (2) balance, the\n extent to which the voices move by the same index number\n and thus approach traditional inversion; and (3)\n smoothness, the extent to which the voices travel the\n shortest possible distance. The most uniform, most\n balanced, or smoothest way of moving from one set to\n another in pitch-class space, or from one set class to\n another in a proposed voice-leading space, provides a\n standpoint from which to assess any specific compositional\n realization in pitch space.},\n doi = {10.1525/mts.2003.25.2.305},\n isbn = {0195-6167},\n issn = {0195-6167},\n journal = {Music Theory Spectrum},\n keywords = {music theory},\n mendeley-tags= {music theory},\n number = {2},\n pages = {305--352},\n volume = {25}\n}\n\n","author_short":["Straus, J. N."],"key":"straus2003-uniformity","id":"straus2003-uniformity","bibbaseid":"straus-uniformitybalanceandsmoothnessinatonalvoiceleading-2003","role":"author","urls":{},"keyword":["music theory"],"metadata":{"authorlinks":{}},"downloads":0},"bibtype":"article","biburl":"https://hmb.sampaio.me/bibliografia.bib.txt","creationDate":"2020-03-24T00:09:41.631Z","downloads":0,"keywords":["music theory"],"search_terms":["uniformity","balance","smoothness","atonal","voice","leading","straus"],"title":"Uniformity, Balance, and Smoothness in Atonal Voice Leading","year":2003,"dataSources":["n6MFY2CscQLDpJ7nT","RFLDZw5KyJdadDXDm"]}