Before the joke: Texture and sociability in the Largo of Haydn's op. 33, no. 2. Sutcliffe, W. D. Journal of Musicological Research, 28(2-3):92–118, 2009. doi abstract bibtex The Largo e sostenuto of Haydn's string quartet Op. 33, No. 2, embodies various forms of sociable interaction. This entails transactions between thematic materials as well as the four players themselves, and involves the imaginative handling of formula as well as the foregrounding of composer-listener relationships through overt manipulation and disruption. This movement, as well as the remarkable finale to which it leads, is also placed within the wider context of a later-eighteenth-century aesthetic of sociability. Copyright © Taylor & Francis Group, LLC.
@Article{ sutcliffe2009-before,
author = {Sutcliffe, W. Dean},
year = {2009},
title = {Before the joke: Texture and sociability in the Largo of
Haydn's op. 33, no. 2},
abstract = {The Largo e sostenuto of Haydn's string quartet Op. 33,
No. 2, embodies various forms of sociable interaction.
This entails transactions between thematic materials as
well as the four players themselves, and involves the
imaginative handling of formula as well as the
foregrounding of composer-listener relationships through
overt manipulation and disruption. This movement, as well
as the remarkable finale to which it leads, is also placed
within the wider context of a later-eighteenth-century
aesthetic of sociability. Copyright {\textcopyright}
Taylor \& Francis Group, LLC.},
doi = {10.1080/01411890902922470},
issn = {01411896},
journal = {Journal of Musicological Research},
keywords = {music analysis},
mendeley-tags= {music analysis},
number = {2-3},
pages = {92--118},
volume = {28}
}
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