Before the joke: Texture and sociability in the Largo of Haydn's op. 33, no. 2. Sutcliffe, W. D. Journal of Musicological Research, 28(2-3):92–118, 2009.
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The Largo e sostenuto of Haydn's string quartet Op. 33, No. 2, embodies various forms of sociable interaction. This entails transactions between thematic materials as well as the four players themselves, and involves the imaginative handling of formula as well as the foregrounding of composer-listener relationships through overt manipulation and disruption. This movement, as well as the remarkable finale to which it leads, is also placed within the wider context of a later-eighteenth-century aesthetic of sociability. Copyright © Taylor & Francis Group, LLC.
@Article{          sutcliffe2009-before,
    author       = {Sutcliffe, W. Dean},
    year         = {2009},
    title        = {Before the joke: Texture and sociability in the Largo of
                   Haydn's op. 33, no. 2},
    abstract     = {The Largo e sostenuto of Haydn's string quartet Op. 33,
                   No. 2, embodies various forms of sociable interaction.
                   This entails transactions between thematic materials as
                   well as the four players themselves, and involves the
                   imaginative handling of formula as well as the
                   foregrounding of composer-listener relationships through
                   overt manipulation and disruption. This movement, as well
                   as the remarkable finale to which it leads, is also placed
                   within the wider context of a later-eighteenth-century
                   aesthetic of sociability. Copyright {\textcopyright}
                   Taylor \& Francis Group, LLC.},
    doi          = {10.1080/01411890902922470},
    issn         = {01411896},
    journal      = {Journal of Musicological Research},
    keywords     = {music analysis},
    mendeley-tags= {music analysis},
    number       = {2-3},
    pages        = {92--118},
    volume       = {28}
}

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