Enseigner la composition: De Schoenberg au multimédia. Szendy, P. L'Harmattan, Paris, January, 1998. abstract bibtex The following contributions are cited separately in RILM: Theodor W. ADORNO, Jean LAUXEROIS, trans., Peter SZENDY, trans., De la musique en pédagogie de la musique: Lettre à Ernst Krenek [On music in music pedagogy: Letter to Ernst Krenek] (RILM [ref]1999-30625[/ref]); Pierre BOULEZ, L'Instant et l'étendue [The instant and the extent] (RILM [ref]1999-30629[/ref]); Elliott CARTER, Peter SZENDY, trans., Le compositeur est une marchandise universitaire [The composer is a university commodity] (RILM [ref]1999-30627[/ref]); Franco DONATONI, Anne GUGLIELMETTI, trans., Arnold le nourricier [Arnold the foster father] (RILM [ref]1999-30628[/ref]); Hugues DUFOURT, Le Bauhaus et l'Ircam: De deux «maisons de la Construction» au XXe siècle [The Bauhaus and IRCAM: Two 'houses of construction' in the 20th century] (RILM [ref]1999-30626[/ref]); György LIGETI, Peter SZENDY, trans., De nouvelles voies dans l'enseignement de la composition: Un compte rendu [New paths in teaching composition: A report] (RILM [ref]1999-30630[/ref]); Philippe MANOURY, Peter SZENDY, L'oreille et l'écriture, du studio à la scène [The ear and composition: From the studio to the stage] (RILM [ref]1999-30632[/ref]); Brice PAUSET, Autonomie et pédagogie de la fragilité [Autonomy and pedagogy of fragility] (RILM [ref]1999-30633[/ref]); Peter SZENDY, L'effacement du maître de musique [Disappearance of the music teacher] (RILM [ref]1999-30623[/ref]); Peter SZENDY, trans., Brian FERNEYHOUGH, Thinking once more... (RILM [ref]1999-30631[/ref]); Marc TEXIER, Les geôles de la liberté: Sur l'enseignement de la composition [The prisons of liberty: On teaching musical composition] (RILM [ref]1999-30624[/ref]).
@book{szendy_enseigner_1998,
address = {Paris},
series = {Conference {Source}: (1996) : {Paris}.},
title = {Enseigner la composition: {De} {Schoenberg} au multimédia},
isbn = {978-2-7384-6646-4},
shorttitle = {Enseigner la composition},
abstract = {The following contributions are cited separately in RILM: Theodor W. ADORNO, Jean LAUXEROIS, trans., Peter SZENDY, trans., De la musique en pédagogie de la musique: Lettre à Ernst Krenek [On music in music pedagogy: Letter to Ernst Krenek] (RILM [ref]1999-30625[/ref]); Pierre BOULEZ, L'Instant et l'étendue [The instant and the extent] (RILM [ref]1999-30629[/ref]); Elliott CARTER, Peter SZENDY, trans., Le compositeur est une marchandise universitaire [The composer is a university commodity] (RILM [ref]1999-30627[/ref]); Franco DONATONI, Anne GUGLIELMETTI, trans., Arnold le nourricier [Arnold the foster father] (RILM [ref]1999-30628[/ref]); Hugues DUFOURT, Le Bauhaus et l'Ircam: De deux «maisons de la Construction» au XXe siècle [The Bauhaus and IRCAM: Two 'houses of construction' in the 20th century] (RILM [ref]1999-30626[/ref]); György LIGETI, Peter SZENDY, trans., De nouvelles voies dans l'enseignement de la composition: Un compte rendu [New paths in teaching composition: A report] (RILM [ref]1999-30630[/ref]); Philippe MANOURY, Peter SZENDY, L'oreille et l'écriture, du studio à la scène [The ear and composition: From the studio to the stage] (RILM [ref]1999-30632[/ref]); Brice PAUSET, Autonomie et pédagogie de la fragilité [Autonomy and pedagogy of fragility] (RILM [ref]1999-30633[/ref]); Peter SZENDY, L'effacement du maître de musique [Disappearance of the music teacher] (RILM [ref]1999-30623[/ref]); Peter SZENDY, trans., Brian FERNEYHOUGH, Thinking once more... (RILM [ref]1999-30631[/ref]); Marc TEXIER, Les geôles de la liberté: Sur l'enseignement de la composition [The prisons of liberty: On teaching musical composition] (RILM [ref]1999-30624[/ref]).},
publisher = {L'Harmattan},
author = {Szendy, Peter},
month = jan,
year = {1998},
keywords = {16: Collected writings -- Congress reports, symposium proceedings, composition -- pedagogy, mixed media -- multimedia -- role in composition pedagogy, pedagogy--general -- composition},
}
Downloads: 0
{"_id":"oC23KkKL2kc4YWqqy","bibbaseid":"szendy-enseignerlacompositiondeschoenbergaumultimdia-1998","authorIDs":[],"author_short":["Szendy, P."],"bibdata":{"bibtype":"book","type":"book","address":"Paris","series":"Conference Source: (1996) : Paris.","title":"Enseigner la composition: De Schoenberg au multimédia","isbn":"978-2-7384-6646-4","shorttitle":"Enseigner la composition","abstract":"The following contributions are cited separately in RILM: Theodor W. ADORNO, Jean LAUXEROIS, trans., Peter SZENDY, trans., De la musique en pédagogie de la musique: Lettre à Ernst Krenek [On music in music pedagogy: Letter to Ernst Krenek] (RILM [ref]1999-30625[/ref]); Pierre BOULEZ, L'Instant et l'étendue [The instant and the extent] (RILM [ref]1999-30629[/ref]); Elliott CARTER, Peter SZENDY, trans., Le compositeur est une marchandise universitaire [The composer is a university commodity] (RILM [ref]1999-30627[/ref]); Franco DONATONI, Anne GUGLIELMETTI, trans., Arnold le nourricier [Arnold the foster father] (RILM [ref]1999-30628[/ref]); Hugues DUFOURT, Le Bauhaus et l'Ircam: De deux «maisons de la Construction» au XXe siècle [The Bauhaus and IRCAM: Two 'houses of construction' in the 20th century] (RILM [ref]1999-30626[/ref]); György LIGETI, Peter SZENDY, trans., De nouvelles voies dans l'enseignement de la composition: Un compte rendu [New paths in teaching composition: A report] (RILM [ref]1999-30630[/ref]); Philippe MANOURY, Peter SZENDY, L'oreille et l'écriture, du studio à la scène [The ear and composition: From the studio to the stage] (RILM [ref]1999-30632[/ref]); Brice PAUSET, Autonomie et pédagogie de la fragilité [Autonomy and pedagogy of fragility] (RILM [ref]1999-30633[/ref]); Peter SZENDY, L'effacement du maître de musique [Disappearance of the music teacher] (RILM [ref]1999-30623[/ref]); Peter SZENDY, trans., Brian FERNEYHOUGH, Thinking once more... (RILM [ref]1999-30631[/ref]); Marc TEXIER, Les geôles de la liberté: Sur l'enseignement de la composition [The prisons of liberty: On teaching musical composition] (RILM [ref]1999-30624[/ref]).","publisher":"L'Harmattan","author":[{"propositions":[],"lastnames":["Szendy"],"firstnames":["Peter"],"suffixes":[]}],"month":"January","year":"1998","keywords":"16: Collected writings – Congress reports, symposium proceedings, composition – pedagogy, mixed media – multimedia – role in composition pedagogy, pedagogy–general – composition","bibtex":"@book{szendy_enseigner_1998,\n\taddress = {Paris},\n\tseries = {Conference {Source}: (1996) : {Paris}.},\n\ttitle = {Enseigner la composition: {De} {Schoenberg} au multimédia},\n\tisbn = {978-2-7384-6646-4},\n\tshorttitle = {Enseigner la composition},\n\tabstract = {The following contributions are cited separately in RILM: Theodor W. ADORNO, Jean LAUXEROIS, trans., Peter SZENDY, trans., De la musique en pédagogie de la musique: Lettre à Ernst Krenek [On music in music pedagogy: Letter to Ernst Krenek] (RILM [ref]1999-30625[/ref]); Pierre BOULEZ, L'Instant et l'étendue [The instant and the extent] (RILM [ref]1999-30629[/ref]); Elliott CARTER, Peter SZENDY, trans., Le compositeur est une marchandise universitaire [The composer is a university commodity] (RILM [ref]1999-30627[/ref]); Franco DONATONI, Anne GUGLIELMETTI, trans., Arnold le nourricier [Arnold the foster father] (RILM [ref]1999-30628[/ref]); Hugues DUFOURT, Le Bauhaus et l'Ircam: De deux «maisons de la Construction» au XXe siècle [The Bauhaus and IRCAM: Two 'houses of construction' in the 20th century] (RILM [ref]1999-30626[/ref]); György LIGETI, Peter SZENDY, trans., De nouvelles voies dans l'enseignement de la composition: Un compte rendu [New paths in teaching composition: A report] (RILM [ref]1999-30630[/ref]); Philippe MANOURY, Peter SZENDY, L'oreille et l'écriture, du studio à la scène [The ear and composition: From the studio to the stage] (RILM [ref]1999-30632[/ref]); Brice PAUSET, Autonomie et pédagogie de la fragilité [Autonomy and pedagogy of fragility] (RILM [ref]1999-30633[/ref]); Peter SZENDY, L'effacement du maître de musique [Disappearance of the music teacher] (RILM [ref]1999-30623[/ref]); Peter SZENDY, trans., Brian FERNEYHOUGH, Thinking once more... (RILM [ref]1999-30631[/ref]); Marc TEXIER, Les geôles de la liberté: Sur l'enseignement de la composition [The prisons of liberty: On teaching musical composition] (RILM [ref]1999-30624[/ref]).},\n\tpublisher = {L'Harmattan},\n\tauthor = {Szendy, Peter},\n\tmonth = jan,\n\tyear = {1998},\n\tkeywords = {16: Collected writings -- Congress reports, symposium proceedings, composition -- pedagogy, mixed media -- multimedia -- role in composition pedagogy, pedagogy--general -- composition},\n}\n\n","author_short":["Szendy, P."],"key":"szendy_enseigner_1998","id":"szendy_enseigner_1998","bibbaseid":"szendy-enseignerlacompositiondeschoenbergaumultimdia-1998","role":"author","urls":{},"keyword":["16: Collected writings – Congress reports","symposium proceedings","composition – pedagogy","mixed media – multimedia – role in composition pedagogy","pedagogy–general – composition"],"downloads":0},"bibtype":"book","biburl":"https://api.zotero.org/users/1966573/collections/5EBH8UD3/items?key=Pceth9lITtTYFc2KLXE7HqLr&format=bibtex&limit=100","creationDate":"2021-01-07T09:59:53.674Z","downloads":0,"keywords":["16: collected writings – congress reports","symposium proceedings","composition – pedagogy","mixed media – multimedia – role in composition pedagogy","pedagogy–general – composition"],"search_terms":["enseigner","composition","schoenberg","multim","dia","szendy"],"title":"Enseigner la composition: De Schoenberg au multimédia","year":1998,"dataSources":["AkRhNfSFmMaHRLCZM"]}