The Limbs of Empire: Ahab, Santa Anna, and Moby-Dick. Taylor, C. American Literature: A Journal of Literary History, Criticism, and Bibliography AL, 83(1):29–57, March, 2011. ![The Limbs of Empire: Ahab, Santa Anna, and Moby-Dick [link]](https://bibbase.org/img/filetypes/link.svg "link")
Paper doi abstract bibtex Taylor reads Herman Melville's Moby-Dick (1851) through the history of the captured prosthetic limb of Mexican General Antonio López de Santa Anna. U.S. travel narratives, soldiers' accounts, and P. T. Barnum's 1847 display of the captured prosthesis in his American Museum figured the leg as a symbol of the regenerative and reembodying benefits that territorial imperialism offered to Jacksonian working classes. Melville's journalism on Barnum's exhibit evinces a deep anxiety about the enthusiasm of Barnum's working-class audience for the prosthesis of empire, scrutinizing the figurative and rhetorical modalities by which the limb gained its symbolic value and affective force. Moby-Dick, Taylor argues, turns the figurative operations that Melville isolated in his reading of Barnum into a hermeneutic for interpreting the symbolic economies governing the interclass relations that produced populist imperialism. Moby-Dick narrates how hegemonic redeployments of the working-class rhetoric of loss transformed the hands of industry, seeking autonomy through territorial imperialism, into the prostheses of an Ahabian empire.
@article{taylor_limbs_2011,
title = {The {Limbs} of {Empire}: {Ahab}, {Santa} {Anna}, and {Moby}-{Dick}},
volume = {83},
issn = {0002-9831 1527-2117 (electronic)},
url = {https://read.dukeupress.edu/american-literature/article/83/1/29/4894/The-Limbs-of-Empire-Ahab-Santa-Anna-and-Moby-Dick},
doi = {10.1215/00029831-2010-062},
abstract = {Taylor reads Herman Melville's Moby-Dick (1851) through the history of the captured prosthetic limb of Mexican General Antonio López de Santa Anna. U.S. travel narratives, soldiers' accounts, and P. T. Barnum's 1847 display of the captured prosthesis in his American Museum figured the leg as a symbol of the regenerative and reembodying benefits that territorial imperialism offered to Jacksonian working classes. Melville's journalism on Barnum's exhibit evinces a deep anxiety about the enthusiasm of Barnum's working-class audience for the prosthesis of empire, scrutinizing the figurative and rhetorical modalities by which the limb gained its symbolic value and affective force. Moby-Dick, Taylor argues, turns the figurative operations that Melville isolated in his reading of Barnum into a hermeneutic for interpreting the symbolic economies governing the interclass relations that produced populist imperialism. Moby-Dick narrates how hegemonic redeployments of the working-class rhetoric of loss transformed the hands of industry, seeking autonomy through territorial imperialism, into the prostheses of an Ahabian empire.},
language = {English},
number = {1},
journal = {American Literature: A Journal of Literary History, Criticism, and Bibliography AL},
author = {Taylor, Christopher},
month = mar,
year = {2011},
keywords = {1800-1899, American literature, Melville, Herman (1819-1891), Moby-Dick (1851), Santa Anna, Antonio López de (1794?-1876), United States imperialism, body, disability, metaphor, novel, objects, prosthesis},
pages = {29--57},
}
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