@Article{          waltham-smith2018-haydns,
    author       = {Waltham-Smith, Naomi},
    year         = {2018},
    title        = {Haydn's impropriety},
    abstract     = {Haydn is known for his playful (mis)use of cadential
                   formulas. Examining examples of this predilection and
                   processes of cadential liquidation, this article develops
                   a theory of the use of musical material. This entails a
                   deconstruction of the Adornian dialectic between generic
                   convention and particular expression and-following Jacques
                   Derrida's notion of exappropriation-between proper and
                   improper, and propriety and impropriety.},
    doi          = {10.1215/00222909-4450660},
    issn         = {00222909},
    journal      = {Journal of Music Theory},
    keywords     = {Cadence,Deconstruction,Exappropriation,Haydn,Liquidation,music
                   analysis},
    mendeley-tags= {music analysis},
    number       = {1},
    pages        = {119--144},
    volume       = {62}
}

{"_id":"b7uHWvNm75g6E9kJL","bibbaseid":"walthamsmith-haydnsimpropriety-2018","author_short":["Waltham-Smith, N."],"bibdata":{"bibtype":"article","type":"article","author":[{"propositions":[],"lastnames":["Waltham-Smith"],"firstnames":["Naomi"],"suffixes":[]}],"year":"2018","title":"Haydn's impropriety","abstract":"Haydn is known for his playful (mis)use of cadential formulas. Examining examples of this predilection and processes of cadential liquidation, this article develops a theory of the use of musical material. This entails a deconstruction of the Adornian dialectic between generic convention and particular expression and-following Jacques Derrida's notion of exappropriation-between proper and improper, and propriety and impropriety.","doi":"10.1215/00222909-4450660","issn":"00222909","journal":"Journal of Music Theory","keywords":"Cadence,Deconstruction,Exappropriation,Haydn,Liquidation,music analysis","mendeley-tags":"music analysis","number":"1","pages":"119–144","volume":"62","bibtex":"@Article{ waltham-smith2018-haydns,\n author = {Waltham-Smith, Naomi},\n year = {2018},\n title = {Haydn's impropriety},\n abstract = {Haydn is known for his playful (mis)use of cadential\n formulas. Examining examples of this predilection and\n processes of cadential liquidation, this article develops\n a theory of the use of musical material. This entails a\n deconstruction of the Adornian dialectic between generic\n convention and particular expression and-following Jacques\n Derrida's notion of exappropriation-between proper and\n improper, and propriety and impropriety.},\n doi = {10.1215/00222909-4450660},\n issn = {00222909},\n journal = {Journal of Music Theory},\n keywords = {Cadence,Deconstruction,Exappropriation,Haydn,Liquidation,music\n analysis},\n mendeley-tags= {music analysis},\n number = {1},\n pages = {119--144},\n volume = {62}\n}\n\n","author_short":["Waltham-Smith, N."],"key":"waltham-smith2018-haydns","id":"waltham-smith2018-haydns","bibbaseid":"walthamsmith-haydnsimpropriety-2018","role":"author","urls":{},"keyword":["Cadence","Deconstruction","Exappropriation","Haydn","Liquidation","music analysis"],"metadata":{"authorlinks":{}}},"bibtype":"article","biburl":"https://hmb.sampaio.me/bibliografia.bib.txt","dataSources":["n6MFY2CscQLDpJ7nT"],"keywords":["cadence","deconstruction","exappropriation","haydn","liquidation","music analysis"],"search_terms":["haydn","impropriety","waltham-smith"],"title":"Haydn's impropriety","year":2018}