@article{ wu_shengmu_2009,
  title = {Shengmu misa de qinggan neihan yu zhongshiji wanqi de {Shengmu} chongbai},
  issn = {1000-4270},
  abstract = {An interpretation of Machaut's Mass, bringing in historical background, social psychology, and the personal experience and feelings of the composer in his late period., [unedited non–English abstract received by RILM] 中世纪晚期法国诗人、作曲家纪尧姆·德·马肖的《圣母弥撒》是西方音乐史上第一部常规复调弥撒套曲。围绕这一里程碑式的作品的创作背景、版本情况、作曲技法和体裁特征,西方音乐学界已有大量研究成果产生。但对于这部伟大作品的内容及其所反映的作曲家乃至其时代的精神特质,由于缺乏直接证据,至今尚无学者论及。本论文将音乐史和文学史、美术史、文化史等领域相贯通,联系作品所产生的广阔历史背景、时代精神、社会心理以及作曲家晚年的个人经历和内心感受,利用大量旁证加以诠释性解读,从而对这一作品可能具有的情感内涵进行大胆地探索。},
  number = {3},
  journal = {Yinyue yishu: Shanghai Yinyue Xueyuan xuebao/Art of music: Journal of the Shanghai Conservatory of Music},
  author = {Wu, Weixi (Author) and 伍维曦 (Author)},
  month = {January},
  year = {2009},
  keywords = {23: Historical musicology (Western music) -- To ca. 1400 (Middle Ages), Guillaume de Machaut -- works -- Messe de Nostre Dame -- emotional aspects},
  pages = {81}
}

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