@incollection{zenck_gesture_1989,
	address = {Regensburg},
	series = {Kölner {Beiträge} zur {Musikforschung}},
	title = {"{Gesture} as a universal language". {Die} {Bedeutung} der {Joyceschen} {Poetik} in {Bernd} {Alois} {Zimmermanns} "{Requiem} für einen jungen {Dichter}"},
	language = {ger},
	number = {155},
	booktitle = {Zwischen den {Generationen}. {Bericht} über das {Bernd}-{Alois}-{Zimmermann}-{Symposion} {Köln} 1987},
	author = {Zenck, Martin},
	editor = {Niemöller, Klaus Wolfgang and Konold, Wulf},
	year = {1989},
	keywords = {Anna Livia Plurabelle, Antiphonen, Augustinus, Confessiones, Edouard Dujardin "Les lauriers sont coupés", Erzählzeit, Finnegans Wake, Gaia-Tellus, James Joyce, Klaus Reichert "Soft morning, city", Kurt Schwitters "Anna Blume", Liber Ecclesiastes, Lingual, Ludwig Wittgenstein, Ludwig Wittgenstein "Philosophische Untersuchungen", Molly Bloom, Musik und Sprache, NDR, Paul Pörtner, Pierre Boulez "Sonate - que me veux-tu?", Présence, Redaktion-MP, Requiem für einen jungen Dichter, Robert Weininger "Die Joyce-Rezeption von Arno Schmidt", Rundfunk, Rundfunksendung, Sammelbandkontrolle AK erld., Sander Weöres "dob es lanc", Schichten, Schlußmonolog der Molly Bloom, Soft morning, city, Sprachbehandlung, Sprache, Todesmonolog der Anna Livia Plurabelle, Ulysses, Zeit, Zeitbegriff, Zitat, Zitationspraxis, bearbeitet SHK, erzählte Zeit, nouveau roman, publizierbar, stream of conciousness},
	pages = {47--75},
}

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